PITTSBURGH (AP) — Billionaire publisher Richard Mellon Scaife, who two weeks before his death wrote about the importance of art and supporting American museums,...
WASHINGTON (AP) — Fashion designer Narciso Rodriguez will receive a National Design Award this year from the Smithsonian's Cooper-Hewitt National Design Museum, along with...
This Wednesday, Oct. 23, 2013 photo shows a comic titled "Pogo" by Walt Kelly at the Billy Ireland Cartoon Library & Museum in Columbus, Ohio. (AP Photo/Tony Dejak) by Mitch StacyAssociated Press Writer COLUMBUS, Ohio (AP) — There is a place where Snoopy frolics carefree with the scandalous Yellow Kid, where Pogo the possum philosophizes alongside Calvin and Hobbes. It's a place where Beetle Bailey loafs with Garfield the cat, while Krazy Kat takes another brick to the noggin, and brooding heroes battle dark forces on the pages of fat graphic novels. That doesn't even begin to describe everything that's going on behind the walls of the new Billy Ireland Cartoon Library and Museum on the Ohio State University campus, opening to the public Saturday.
This photo provided by Hunt's Auctions on Saturday, Nov. 9, 2013, shows Pittsburgh Pirates Hall of Famer Bill Mazeroski's 1960 World Series Game 7 home uniform. (AP Photo/Hunt's Auctions) PITTSBURGH (AP) - The uniform that Bill Mazeroski wore when he hit a walk-off home run for the Pittsburgh Pirates during the final game of the 1960 World Series has a new owner after an auction of the Hall of Famer's memorabilia.
Patrons view items on display at the Louis Armstrong House Museum Wednesday, Oct. 9, 2013, in the Queens borough of New York. (AP Photo/Frank Franklin II) by Ula IlnytzkyAssociated Press Writer NEW YORK (AP) — To mark the 10th anniversary of the Louis Armstrong museum in the modest brick house where he lived for 28 years, curators are unveiling one of the jazz trumpeter's most unusual artifacts — a plaster mask that had been stored in a cupboard for decades. Armstrong, who documented his career in unusual ways, had the life mask with a painted bronze-patina finish made in the 1950s. David Reese, curator of the Louis Armstrong House Museum, said it reveals creases on his forehead, bags under his eyes and scars on his lips from a lifetime of horn-playing.